Slicing soda cans into strips allows flat metal to curve over the structure creating an object with form and dynamism. Weaving can strips mixing different lengths, widths, colours and textures creates lines or cross hatching in much the same way as I previously used pen and ink.
Born in Nigeria I have lived in South Africa, Brazil, Mexico, UK, Spain, Singapore and Japan. The techniques I use were picked up from local crafts and styles I have encountered in this journey. The wire wrapping is distinctively African. The manufactured art work on the soda cans transfers into a never ending colour palette, giving the sculptures a South American aesthetic. Sometime there is a clearly intended re-patched/re-used look, reminiscent of Japanese kintsugi. Other pieces incorporate some twist of humour, often unapologetically British. My first sculpture with soda cans was that of a hand and I since then I have been obsessed with creating the perfect human body. I aim to bring dynamism and emotion into the figures. A combination of classical forms with modern materials has forced innovation
and every sculpture is an exploration built on lessons learnt from the preceding work.
Exploring the intersection of art and environmentalism, my sculptural journey is a testament to nature’s ability to repurpose discarded objects. Utilizing Soda Cans as my medium, I weave a narrative that transcends borders, incorporating techniques from Africa, South America, the UK, Japan, and more. Each sculpture, inspired by the overlooked and disposed, embodies the power of creative repurposing, mirroring the resourcefulness observed in the natural world.
From memorable group showcases and solo exhibits in Singapore, Japan and London and now
my own gallery in Tsukuba, Japan, each chapter adds layers to my evolving exploration in the realm of art.
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Utilizing Soda Cans as my medium, I weave a narrative that transcends borders, incorporating techniques from Africa, South America, the UK, Japan, and more.
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2054-8 Uenomuro, Tsukuba, Ibaraki 305-0023, Japan
©Copyright 2024 by Jon Homewood Art
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